Some Like It Hot Filming

The Making of a Cinematic Masterpiece: Behind the Scenes of *Some Like It Hot*

In the annals of Hollywood history, few films have captured the essence of comedy, romance, and sheer audacity as brilliantly as Some Like It Hot. Directed by the legendary Billy Wilder and released in 1959, this screwball comedy remains a testament to the power of storytelling, impeccable timing, and the genius of its cast. But what went into creating this iconic film? Let’s dive into the fascinating world of its production, from the challenges faced to the moments of brilliance that made it a timeless classic.

The Birth of a Bold Idea

Some Like It Hot was born out of a risky premise: two musicians, Joe and Jerry (played by Tony Curtis and Jack Lemmon), disguise themselves as women to escape the mob after witnessing a massacre. The idea was adapted from a 1935 French film, Fanfares of Love, but Wilder and co-writer I.A.L. Diamond infused it with their signature wit and irreverence. The film’s cross-dressing plot was daring for its time, pushing the boundaries of the Motion Picture Production Code, which strictly regulated content in Hollywood.

Casting Against the Odds

The casting of Some Like It Hot was as unconventional as its plot. Jack Lemmon and Tony Curtis were already established stars, but their willingness to don dresses and wigs for the film was a leap of faith. Marilyn Monroe, on the other hand, was a box-office draw but came with a reputation for being difficult on set.

Despite the challenges, Wilder’s decision to cast Monroe paid off, as her performance remains one of the film’s most enduring highlights.

The Art of Transformation

One of the most remarkable aspects of Some Like It Hot was the transformation of Lemmon and Curtis into Josephine and Daphne. The film’s makeup artist, Joe Kelley, spent hours each day turning the actors into believable women. The process was painstaking, involving layers of padding, wigs, and meticulous makeup.

Lemmon’s portrayal of Daphne, in particular, became a masterclass in comedic acting, blending physical humor with subtle femininity.

Filming Challenges and Triumphs

Shooting Some Like It Hot was no walk in the park. The film was primarily shot on soundstages at United Artists Studios in Hollywood, with exterior scenes filmed in San Diego and Coronado, California. The infamous train scene, where Joe woos Sugar as a millionaire, required precise choreography and timing.

"Nobody’s perfect," quips Osgood Fielding III (Joe E. Brown) in the film’s final line—a moment that Wilder insisted on keeping, despite studio concerns about its ambiguity.

The film’s production was also marked by Monroe’s unpredictability. Wilder often had to resort to placing her lines on objects in the scene, such as a door or a table, to help her remember them. Despite these hurdles, the cast and crew forged a bond, with Lemmon and Curtis later describing the experience as one of the most rewarding of their careers.

A Legacy That Endures

Upon its release, Some Like It Hot was an immediate hit, grossing over $25 million worldwide and earning six Academy Award nominations. Today, it is widely regarded as one of the greatest comedies ever made, ranking #1 on the American Film Institute’s list of the funniest American films.

Behind the Scenes Trivia

• The film’s budget was $2.9 million, a significant sum for the time.
  
• Wilder originally wanted Frank Sinatra and Mitzi Gaynor for the roles of Joe and Sugar.
  
• The yacht scene was filmed on the actual yacht of billionaire Howard Hughes.
  

FAQ Section

Some Like It Hot is more than just a comedy—it’s a cultural phenomenon that continues to captivate audiences with its wit, charm, and audacity. From its groundbreaking premise to its unforgettable performances, it remains a shining example of Hollywood at its best. As Osgood Fielding III might say, it’s simply perfect.